|Ole Worm, Museum Wormianum (Leiden, 1655)|
|Photo by Dennis W. Purcell © 2003|
And that is why he assembled a museum in his Copenhagen home. Filled with ethnographic curiosities, skulls, stuffed animals, and the latest in optical and experimental devices, the early museum was as beautiful in its way as it was informative.
We know what the museum looked like from the detailed frontispiece in the 1655 catalog called "Worm's Museum, or the History of Very Rare Things, Natural and Artificial, Domestic and Exotic, Which Are Stored in the Author's House in Copenhagen."
Now, Rosamond Purcell has fashioned a meticulous re-creation of this 17th century world-within-a-world with "Bringing Nature Inside," which can be seen at the Special Exhibits Gallery at the Science Center, room 251. (The re-creation of Olaus Worm's collection was originally part the exhibition "Rosamond Purcell: Two Rooms," organized by the Santa Monica Museum of Art and curator Lisa Melandri.)
To conjure up the private museum of the Danish professor of medicine, Purcell used ethnographic objects and natural history specimens borrowed from collections at Harvard and elsewhere in the United States. In re-creating Worm's world, Purcell, an installation artist, and Sara Schechner, the David P. Wheatland Curator of the Collection of Historical Scientific Instruments, explore not only the place of Worm's cabinet among other early museums and the ways he organized his collection, but also the issues that arose in representing nature through the sense of sight.
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